Compared to our first self-titled EP, we think that “Symbology of Shelter” is something completely different, both sonically and artistically. Compared to Womb, we’d say the basic approach is somehow similar, but with this new release we feel like the overall quality is higher, the songs flow better and the Mathcore/Black Metal influences are blended together more effectively. One of the main adjustments was centered on focusing on the writing process, trying to structure the album as a cohesive and homogeneous piece of work, rather than an ensemble of songs stylistically similar.

We’re just 5 guys who happened to hang out together in the same city, we like the same stuff music-wise and we are all very serious when it comes to having a band. This project is something very important to every member of the band and we dedicate to it almost all of our free time. The band name has no real meaning, they’re just three words we thought sounded good together and basically, that’s it!

Thank you very much! Well, We always felt like Mathcore and Black Metal are two worlds that are very distant from the point of view of their historic background and the general attitude that characterizes them, but we think a common thread can be found sonically in their will to create an extreme form of sound: we always thought that the dark, misanthropic and evil sound of Black Metal could match well the crazy and chaotic structures of Mathcore, so we started writing tracks that are chaotic and dissonant but at the same time heavily influenced from Black Metal especially in the vocals, in the chords and in the riffing.

We’re going to promote the album as much as we can with both online PR and touring: we have already some gigs confirmed in Italy for the rest of 2018 and we’re starting to organize a 2019 European Tour together with a band we really love!

The lyrics of the album are kind of a stream of consciousness that revolves around concepts like the inner crisis experienced by everyone’s conscious self, that uses “shelters” in various forms to satisfy a compelling and nefarious need to attach meanings to life. The theme of man’s relationship with moral and religion is also very recurrent, as well as the impossibility to know an ultimate truth. In a certain way, and the artwork surely has a role in this, this new work can be seen philosophically as a prosecution of Womb, reprising the aesthetic of the feminine element but also the existential theme of questioning life in its entirety, starting by a different point of view though: the concept of shelters.

There are many bands we would love to play shows with of course, some of them are Plebeian Grandstand, Dodecahedron, Amia Venera Landscape, Ulcerate, Gorguts, Converge, Thantifaxath, Ion Dissonance, Artificial Brain, Cult of Luna, Neurosis, Celeste.

We listen to as much different music as we can. In the metal field, we love the new wave of dissonant black metal/death metal and Blackened Hardcore of course, but we’re also following the Mathcore scene, as well as many Doom and Post-Metal bands. Apart from Metal and Hardcore, we like tons of other stuff, especially Ambient, Electronic, Neo/Dark Folk, Contemporary classical music, Math Rock, Noise Rock, and many other genres, especially the ones where more artists are into experimentation in general right now.  Some up and coming bands we suggest are Storm{o} (Mathcore/Screamo), Onryo (Mathcore/Tech-death), Convulsing (Black/Death), Soldat Hans (Doom/Post-Rock),  The Clearing Path (Black/Death), Mico (Mathcore/Sludge),  Un (Funeral Doom).

Most of the times we start with some guitar ideas, a riff or maybe just some weird chord or sound that somehow we find interesting and that can “set the mood” for a track. In parallel, we start arranging the song with drums and bass on Guitar Pro software and that’s really when the song starts building more and more on itself and can take unexpected directions and changes from the original idea. This time, in particular, we worked very hard on constructing the album as one long track, eliminating clear transitions between one track and the following one and making the whole thing sound like a monolithic work.

This time we didn’t want to do the usual playback video, the first thing we all agreed with was that we as a band didn’t want to appear in the video and then we started to think of something that could be visually appealing but also with an artistic sense that has a connection with the overall idea of the new album. So we had this idea of shooting footages in various churches of our hometown Turin and then doing a very frantic video editing work to match the mood of the track “Mirroring”.

It surely was one of the best festivals we ever played at. The lineup was amazing, as well as the audience and all the kind people of the staff. Our favorite performance was probably the one from The Secret, they really smashed it.

Plebeian Grandstand, Dodecahedron, The Secret, Ulcerate.