My buddy Victor of In Asymmetry has recorded a great play through of “Edge Of Divergence”. It’s a serious treat for you guitar wielders out there, with his wild technique and style that’ll woo you for days on end. The band is working on even more new music for a full length that will be done well…..whenever. He caught my ears with the two song demo including this song and “The Transcendence”. He also has stick player Darren Joy playing bass in the band. Check out the play through and pay attention to their label Eastbreath Records as well who’s signing some great bands including In Asymmetry. Enjoy people!
The metal community is always keen to talk about emerging “super groups”, but frequently pass over Equipoise, comprised of some of the underground’s technical elite. By the grace of the metal gods, mastermind Nick Padovani (Virulent Depravity, Kossuth) has managed to recruit a league of truly extraordinary gentlemen; Chason Westmoreland (ex- Hate Eternal, Burning the Masses) anchors the rhythms with his incredible drumwork, Hugo Doyon-Karout (Beyond Creation, Brought by Pain) contributes all of those sultry but complex basslines, and Steve Boiser (Inferi, Tethys, Ashen Horde) offers a stunning rage of vocals. And of course, the techdeath triforce of guitarists, Phil Tougas (First Fragment, Cosmic Atrophy, Chthe’illest), Sanjay Kumar (Wormhole, Perihelion) and Nick himself. Jimmy Pitts (NYN, Eternity’s End) also makes a very huge effort on keyboards and synth for the album.
Alchemic Web of Deceit and Waking Divinity are just two of the singles released so far, be sure to check those out while you’re reading through this- that way you’ll have a much better idea of what we’re talking about here.
(And yes, this is another co review between Vick and Dave! TECH TEAM POWERS ACTIVATE!)
So, where to begin? We’re gonna go on a huge limb and say this is one of the bigger releases of the year. We don’t deny or ignore the band’s talents… we just didn’t know it would be THIS PERFECT. Equipoise is just another huge reason why The Artisan Era is the best up and coming record label (ran primarily by both guitarists Malcom Pugh and Mike Low of Inferi.)
And I think that’s one of my favourite things about this project; everyone brings in such an incredible amount of musical prowess, albeit their own flavour, that it’d be damn near impossible to adequately fill the shoes any one of these dudes would leave behind.
The production is crisp and clean, but not overproduced; each instrument is adequately audible throughout the course of Demiurgus‘ fourteen tracks. However, don’t think for a second that it’s crispness will make it easier to digest. Even listening to this for the n-teenth time, I am still pretty overwhelmed by the sheer amount of *stuff* that’s going on. And it’s over an hour long; ye of short attention span needn’t tread here. Sure, each track is outstanding on their own, but one must listen to the whole thing to really grasp the brilliance of the entirety. This record was certainly written with a very specific demographic in mind, and Demiurgus leaves me questioning my position in said demographic.
I’ve noticed in my tenure in the death metal scene that bass tends to get buried beneath endless guitar riffs and solos, and the bassist ekes on as the unsung hero of the project. But man, you’d have to be out of your mind to want to bury any of Hugo’s bass lines. And though we have ourselves three stellar guitarists, I find that Hugo’s parts in the mixes are often more prominent than the guitar work in a lot of the tracks. But here’s not to say that he is the focal point of Demiurgus; he is just one out of many, many focal points.
Every string player has a lead, and takes full sonic advantage of their moments. The melodies present on the record are absolutely mind blowing. The classical guitar passages between every few songs are really, really awesome. They offer a brief respite from the absolute barrage of complexities and intricacies that the rest of the album offers.
Steve’s voice really cuts through on the record, I gotta say. He’s very up front, and I sure as hell don’t mind it. Initially, I was unsure how I felt about his vocal style, but I’ve come to appreciate what he brings to the table. He has a solid range, never staying with one tone too long. His voice really brings this band together, no lie.
Nick has done a stellar job of layering his songs….especially on “Dualis Flamel”. Not just that wild guitar solo section the middle….but very present keyboards (thanks to Pitts), which is sweet. And, the leads are pretty good! When the keys aren’t too busy shredding, they add a lot to the atmosphere and melody of the Equipoise songs creating a more than unique atmosphere for a technical death metal band.
There are so many guitarists I can barely differentiate them all, being there’s like 10 on the record. I’m pretty sure every guitarist in the band had a lead in the solo section for “Dualis Flamel” the whole song is a wild adventure. Nick really worked hard on the album and his hard work payed off recruiting some of the genre greats who respect and enjoy his music. He’s gotten his band off the ground and with such a great start only makes you wonder how great the second album will be. The melody in the leads are a beautiful touch, everyone wasn’t shredding faces every lead they had. There’s plenty of melody and feel to go around for days that’ll motivate any guitarist to practice their craft more.
Chason’s drums are extremely impressive on the album. Do I expect any less from a solid drummer? No, but it’s great to hear. Gotta give lots of props to guy who has to change speeds a lot and play really, really fast fills in such a wild sound like Equipoise.
We don’t really know what else people expect from a technical death metal band, but Equipoise really brought their A game here big time. Everyone made a stellar effort, and are really gonna turn some heads here. If they didn’t make a mark with their EP… well this should definitely do it with Demiurgus.
Though I am a sucker for longer tracks to immerse myself in, I think I can safely say that my favourite track is “Suit of My Flesh”. I think it’s the heaviest out of the fourteen tracks, and I can’t help but be pulled in by that opening riff. When you hear it, you’ll know exactly what I’m talking about. One does not simply turn on this song and instantly headbang. “Ouroboric” is a pretty close second, another perfect example that heaviness doesn’t need to be sacrificed for beauty to be incorporated.
Demiurgus is out March 8, via The Artisan Era. Do yourself a favour and jam those singles, and then jam Equipoise’s EP, Birthing Homunculi. And then read what Nick had to say about the record. And then hop aboard the hype train, we’ll see you aboard. We will update you on the status of Equipoise’s 2019 tour as the information is released. 😉
In Asymmetry dropped the other song from their two track demo titled “The Transcendence” and it’s technical prog lover’s dream! Lots of experimental passages, some clean guitar, and some wild guitar licks make up the second song. There is plenty of stellar drumming, as well. Perfect drumming is the name of the game for Marco Pitruzzella. This band has a killer future, and only the start of things to come. You can check out both songs here and after you’re done check out their record label Eastbreath Records.
Progressive Power Metal Band Mortanius is releasing their first full length album “Til Death Do Us Part” on February 22nd and we have the low down for you here at TMR! This band is very entertaining with its symphonic and neoclassical elements, adding all those acoustic and classical guitar tracks. The band has released three EP’S before diving into this full length album, so it’s very important to them that they wanted do a full length. This band really clicks especially rhythmically led by Jesse Shaw, let me tell you about it. The vocals are what drew me in first, and shockingly to admit from a guitar player.
Lead and backing vocals – Lucas Flocco
Bass- Jesse Shaw
Lead guitars: Ollie Bernstein
Rhythm guitars: AJ Larsen
Lucas’ voice is just so pure, clean, and has an amazing range for a guy (who stereotypically have lower vocal ranges, which is awfully impressive). The guitar work is absolutely awesome between Ollie and AJ, really shining bright from many different styles on “Til Death Do Us Part”. And what makes this band even greater? They did a cover of Wham’s “Last Christmas”! How messed up is that? But they made it very melancholy, kinda spooky, and totally different….taking away from the original poppy upbeat song. Mortanius is a solid band with a versatile vocalist and meshes many cool sounds together. The modern progressive bands tend to be kookier, and also heavier for the most part. They blend in the classic prog metal sounds that give them that majestic sound they’re achieving with heavily layered synthesizer and keyboard tracks as well. Its a phenomenal album, pick it up when it comes out!